Blood shed in this world is real blood. This is no imitation world, no imaginary world, no metaphysical world. I guarantee you that. But this is not the 1984 you know
Like a parallel world?
The man’s shoulder trembled with laughter. You’ve been reading too much science fiction. No, this is no parallel world. You don’t have 1984 over there and 1Q84 branching off over here and the two worlds running along parallel tracks. The year 1Q84 no longer exists anywhere. For you and for me, the only time that exists anymore is this year of 1Q84 (462)
The excerpt above is the clearest description of the world of 1Q84 from within the pages.
I sped through the first 500 pages, and then put it down for a few days to reflect. During this break I realized I have no idea what this book is about. And even now after having finished it, I still don’t know. Is it a story about true love? Or star-crossed lovers? Cults?
I think what propelled me through the first half of the book was Murakami’s writing style. It’s new to me. But after 600 pages or so, I began to pick out annoying details that were ruining an already weak storyline. For example, a lot of the descriptions are redundant and some things seem out of place (frequent mention of breasts, their size and shape) or negatively awkward (sex scenes and phone conversations) or just unnecessary…like when Aomame uses a pregnancy test.
The test itself was simple. Just urinate into a clean container and then dip the indicator stick into it. Or, alternately, urinate directly onto the stick. Then wait a few minutes. If the color changes to blue you’re pregnant, if it doesn’t change color, you’re not. In one version, if two vertical lines appear in the little window, you’re pregnant. One line, and you’re not. The details might vary but the principle was the same (709)
I mean, we all know how those work…so why include that?
Things like this happen a lot. It may serve a purpose, of which I’m not aware.
I guess that leads me to the characters, which are interesting in the beginning, as you learn their backstory, grievances and circumstance. The two central characters are Aomame and Tengo, moon-crossed lovers navigating Tokyo in the time of 1Q84. Tengo and Aomame have very similar backgrounds. They have little social interaction and their daily lives are routine and boring. They both let a lot happen to them and participate the minimum one can participate.
Aomame and Tengo reconnect in the year 1984/1Q84, after not having seen each other after twenty years…and there’s not much more than that. They shared a moment in adolescence (a squeezing of hands together at school) Fast forward, and Aomame assassinates a leader of a cult, who also happens to be exploited in a book Tengo has rewritten. That’s the point of reconnection.
Yes, there are other side characters. Yes, there are other “elements” involved–but they’re confusing and quite frankly, too boring to mention. However, with all that said, I’m not completely turned off to Murakami’s writing. In the end, I can only sum it up as a peculiar piece of alternate-magical-realistic surrealism…and I still can’t be sure that’s right.